Kodak's Newest Film

Ektar 100

Kodak’s newest film, Ektar 100 is becoming a favorite among traditional photographers and in some opinions it exceeds all expectations. Made for 35mm cameras, Kodak promotes the Ektar 100 as the finest grain color negative film available, and through implementation of the Kodak Vision Motion Picture Film Technology, it produces ultra vivid, highly saturated colors. The only criticism I have found is that the film tends to give off a blue color cast when under exposed areas are in shade.

By emphasizing its enlargement capabilities when scanning and printing, Kodak is enticing the digital enthusiasts back to film. When I was shooting film, I was a fan of the Kodak Ektar 25 that was around in 1990’s. It was also fine grain and had great color saturation. Since it was a slow speed film, tripods were usually a must. This film did not make the cut, and was soon taken off the market. The biggest problem that I encountered with Ektar 25 was that most labs had difficulties with the color reproduction. I then changed over to AGFA 50, which became my film of choice for both 35mm and medium format. In my opinion, AGFA 50 was by far the best color film on the market. At 50 ISO, it was very fine grain, and had superior color reproduction with warm saturated colors. As proof of this statement, I had a 35mm negative enlarged to 30x40 inches. When comparing the larger print to the smaller size prints, the colors and resolution are equal. “Joshua Blooms at Red Rock” was taken on cloudy June afternoon, around 3:30pm. The camera was a Nikon 8008s with a Nikon 24mm 2.8 lens set at f/11 on a sturdy tripod, and the shutter speed was 1/15 a second.

Joshua Bloom at Red Rock, NV

Unfortunately, AGFA also discontinued production of AGFA 50 and their Optima II100 was promoted as the closest replacement to AGFA 50—which in my field testing did not even come close.

The question is, will I dust off my film cameras and give Kodak’s Ektar 100 a chance? Well, only if it is developed for medium format, because other than shooting with my Hassleblad and some of the AGFA 50 that I have on ice, I do not intend to return to negative film. The 35mm digital format more than satisfies my needs as a landscape/nature photographer, when I shoot in the RAW mode. The color accuracy, resolution and enlargement capabilities are more than adequate to reproduce my photographic images. Furthermore, there are no negatives with the potential for getting scratched or fragile with age. And, a big reason for not returning to film cameras is that I do not have to open the back of my camera after 36 exposures to change film. This has always been a worry to me, considering where I do most of my photography: outdoors, in the desert, around sand dunes, along creek beds, by waterfalls, often during rain, thunder and snow storms.

It is unfortunate that Kodak has only designed the Ektar 100 for 35mm cameras. Maybe if it is successful on the market, Kodak will make it available for medium format and then I will give it serious consideration.

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What an exciting and interesting photo-adventure this day has been.  I love it when I am drawn to an area and not knowing what to expect I get treated to new experiences. 

Sign up and follow my blog to see where my next photo-adventure will be!

Photography places me in the moment where I can share that moment in time. It becomes a life story as represented by my interaction with the scene. The happiness and beauty or the sorrow and strife; how I focus leaves a lasting impression that might touch the viewer on a spiritual level.

 "Reflecting Nature's Artistry" 

Many of these images are available on my website:

 http://www.bonnierannald.com/ 

For custom matted and framed images:
Off The Wall

No images on this blog are within Public Domain or are available for free download. 

 All rights reserved, world-wide and images protected by Digital Millennium Copyright Act (DMCA). All photography, graphics, text, design, and content is copyrighted by Bonnie Rannald and should not be copied, down-loaded, transferred and re-created in any way without the express consent, in writing to Bonnie Rannald. For information on Bonnie Rannald licensed, right-managed images, please submit a written request.

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The Coming of Spring

Changes in Light

When I was getting serious about landscape photography, I was instructed that the best lighting of all the seasons occurs in fall or spring. At this time, I was shooting with film cameras where there was only a 4 to 5 stop difference in lighting. If you wanted a good print from the dark room, you were forced to meter correctly.

At my home in the northwest portion of the Southwestern Desert, spring offers a longer photography opportunity than the fall season. In northern Nevada, spring can arrive as early as late January and last through June, depending on the mildness of the climate.

The lighting in spring is kinder to the camera, whether film or digital, due to a number of reasons. The sun light striking the earth is diffused because the earth’s revolution is still at an angle. Diffused light is softer and causes less metering problems. As the earth progresses around the sun, its tilt angle becomes reversed, causing the sun’s rays to become refocused, giving us more daylight hours. The increase in daylight signals nature to wake up and be reborn. Longer daylight hours provide the photographer so many different opportunities to photograph the renewal of spring, whether it’s through the diverse color schemes of the landscape, the variety of wildlife, or dramatic climate changes.

So, unpack your camera gear, charge up your battery and trek out to enjoy the splendors offered by the spring landscape.

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What an exciting and interesting photo-adventure this day has been.  I love it when I am drawn to an area and not knowing what to expect I get treated to new experiences. 

Sign up and follow my blog to see where my next photo-adventure will be!

Photography places me in the moment where I can share that moment in time. It becomes a life story as represented by my interaction with the scene. The happiness and beauty or the sorrow and strife; how I focus leaves a lasting impression that might touch the viewer on a spiritual level.

 "Reflecting Nature's Artistry" 

Many of these images are available on my website:

 http://www.bonnierannald.com/ 

For custom matted and framed images:
Off The Wall

No images on this blog are within Public Domain or are available for free download. 

 All rights reserved, world-wide and images protected by Digital Millennium Copyright Act (DMCA). All photography, graphics, text, design, and content is copyrighted by Bonnie Rannald and should not be copied, down-loaded, transferred and re-created in any way without the express consent, in writing to Bonnie Rannald. For information on Bonnie Rannald licensed, right-managed images, please submit a written request.

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Spirals

Interesting Shapes in Art and Nature

With the coming of spring, the photography world is in transition from the harshness of the cold, bleak winter landscape to a kaleidoscope of colors, sights and shapes. As in autumn, the natural light of spring is more subtle and pleasing to the camera because of the earth’s proximity to the sun. There is an abundance of activity among the wildlife, as preparations are being made for a rebirth of the species. As a nature photographer, I find the shapes in the landscape as interesting as the colors.

 


One shape that is found to reoccur in many natural objects is the spiral. Look closely at the new growth of many flowers and you will discover a spiral in the tightly woven petals.






The spiral can also be found in the design of a pinecone and in the arrangement of sunflower seeds.

The spiral shape is nature’s way of providing the most efficient design for growing objects. It allows flower petals and leaves to receive the most exposure to sunlight and is the easiest path for rain to travel to reach the plant’s root system. The spiral shape in sunflower seeds allows for more space within the seeds without over-crowding.

The shape of the spiral is so significant in the natural world that it can be found almost everywhere. Good examples are ram’s horns, flowers, the Milky Way galaxy, fingerprints, DNA, and various sea shells, including the nautilus. The mathematical genius, Pythagoras, discovered the mystical shape of the spiral in the fifth century. Through this discovery, the Golden Ratio evolved and has been used in architecture, art and music since the Aztec and Greek civilizations.

 


The golden ratio is 1/1.618 or “phi”. A golden rectangle has the golden ratio and when squared, leaves a smaller rectangle behind which has the same golden ratio as the previous rectangle. This squaring can go on ad infinitum. A golden spiral is formed when a curve is connected through the corners of the concentric rectangles.




 

Basic composition of the “rule of thirds” in art design is derived from the golden rectangle. The 35mm format in photography comes closest to this ratio.

Another form of composition is the golden triangle, which is an isosceles triangle with two short sides and one long side, where the ratio of long to short equals the golden ratio. In my opinion, in photographic composition, the rule of thirds works best with horizontal scenes and the golden triangle with the vertical. 

As photographer, I have been drawn to scenes that I felt compelled to re-create on film. One reporter wrote that I had an intuitive awareness of scenes that would photograph well. As I look back on my early days of photography, I recognize that I was attracted to these scenes because the golden ratio or golden triangles were included within the image.

If you watch closely throughout the growing months, you will come to recognize the natural occurrence of these mystical shapes throughout the landscape.

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What an exciting and interesting photo-adventure this day has been.  I love it when I am drawn to an area and not knowing what to expect I get treated to new experiences. 

Sign up and follow my blog to see where my next photo-adventure will be!

Photography places me in the moment where I can share that moment in time. It becomes a life story as represented by my interaction with the scene. The happiness and beauty or the sorrow and strife; how I focus leaves a lasting impression that might touch the viewer on a spiritual level.

 "Reflecting Nature's Artistry" 

Many of these images are available on my website:

 http://www.bonnierannald.com/ 

For custom matted and framed images:
Off The Wall

No images on this blog are within Public Domain or are available for free download. 

 All rights reserved, world-wide and images protected by Digital Millennium Copyright Act (DMCA). All photography, graphics, text, design, and content is copyrighted by Bonnie Rannald and should not be copied, down-loaded, transferred and re-created in any way without the express consent, in writing to Bonnie Rannald. For information on Bonnie Rannald licensed, right-managed images, please submit a written request.